Jaws

The Roman Numeral edition is limited to 10 copies and is a full leather binding with a hand dyed airbrush gradient overdyed with craquelure resist technique. The title is hand tooled with genuine platinum leaf. Endpapers are leather jointed with a hand painted flyleaf, sprinkled with palladium leaf sunago and edge to edge leather doublures. All edges are decorated with an airbrushed gradient of acrylic ink, sprinkled with palladium leaf sunago. Endbands are hand sewn with Italian silk.

The edition is housed in a leather clamshell enclosure with cloth trays, decorated with hand painted gradient and pigment foil tooling and lined in velvet. The spine label is inlaid leather. The text pages are set in Adobe Minion with Deberny & Peignot Meridien and are printed offset on mouldmade Arches Text.

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The Lettered edition is limited to 26 copies and is a bradel binding featuring genuine fish leather on the spine and goatskin boards. Endsheets are hand marbled for this edition. The enclosure is a custom built wooden box with glass portholes on the lid and a laser engraved metal plate at the top edge, which is inspired by the Orca fishing boat from the novel. The text pages are set in Adobe Minion with Deberny & Peignot Meridien and are printed offset on mouldmade Arches Text.  It is signed by Wendy Benchley, John Anthony Di Giovanni and Roger Kastel.

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The Numbered edition of 350 copies is a quarter Japanese cloth binding with the cloth covering the lower section of the boards, and goatskin covering the upper section. A bonded leather fin is laser cut and inset into the cover. Endsheets are handmade from acid free Indian batik cotton rag paper and screenprinted. The text pages are set in Adobe Minion with Deberny & Peignot Meridien and are printed offset on Mohawk Loop. The edition is housed in a capped slipcase with a printed wrap featuring a charcoal illustration by Robert Longo from his Perfect Gods series. The edition is signed by Wendy Benchley and John Anthony Di Giovanni.

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The Artist edition is limited to 1000 copies with a dust jacket featuring the iconic painting by Roger Kastel used on the original paperback cover and film poster. It is a full cloth smyth-sewn binding with two-hits foil stamping on the cover, and red stained edges. The text pages are set in Adobe Minion with Deberny & Peignot Meridien and are printed offset on Yulong Pure. The edition is housed in an embossed paper covered slipcase with an acrylic coating. The bookcloth grade linen covering the edition is made using plastic collected from the ocean.

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