The Lady with the Little Dog Anton Chekhov
Translated by Rosamund Bartlett
Wood engraving by Anne Desmet
First published in the journal Russkaya Mysl (Russian Thought) in December 1899, Anton Chekhov’s “The Lady with the Little Dog” is widely regarded as one of the greatest short stories ever written — a work that has shaped the art of the short story itself.
In the sun-drenched resort town of Yalta, a cynical and restless Moscow banker strikes up a flirtation with a young married woman walking her small white dog along the seafront. What begins as a casual holiday affair — one of many for him — deepens into something neither expected: a bond that is quiet, inconvenient, and inescapable.
Chekhov traces the slow unraveling of his characters’ assumptions about themselves with extraordinary delicacy, building not toward resolution but toward the recognition that real life, with all its difficulty, has only just begun.
About The Edition
Our edition of “The Lady with the Little Dog” by Anton Chekhov is presented as part of our Short Story series in a single state of four hundred unnumbered copies with no rights attached. The edition measures 6½ × 9½ inches and features a wood engraving by Royal Academician Anne Desmet. The text is taken from Rosamund Bartlett’s translation, chosen for its fidelity to Chekhov’s language and tone.
It is designed by Scott Vile and printed letterpress on his Heidelberg Cylinder in Buxton, Maine on mouldmade Hahnemühle Biblio. The wood engraving is printed from the original block and the typeface is Electra. A second color appears on the title page and the opening initial, requiring additional passes through the press. The volume is 28 pages and is hand-sewn into a Hahnemühle Bugra wrapper with flaps by Nicoline Meyer in Hudson, New York and features a letterpress printed cover label. It is signed by the translator, artist and printer.
A Note on the Typography
The text is set in Electra, a serif typeface designed by W. A. Dwiggins and released by the Mergenthaler Linotype Company in 1935. Dwiggins described the design as a “modern roman type letter” with “personality,” avoiding direct revival of any historical model. He chose the name Electra to suggest electricity and crisp modernity. After a slow development process, Electra became a popular book typeface in American printing.
About the Collaborators
Anne Desmet
Anne Desmet RA is a British artist specialising in wood engravings, linocuts, and mixed-media collages. She gained a BA and MA at the Ruskin School of Art, Oxford University, and a Postgraduate Diploma in Printmaking at Central School of Art and Design, London. In 2011, she was elected a member of the Royal Academy of Arts — only the third wood engraver ever elected to the RA in its entire history. She has received over forty international awards, and her work is in museum collections worldwide, including the British Museum, the Ashmolean Museum, and the Victoria and Albert Museum. She lives and works in London.
Rosamund Bartlett
Rosamund Bartlett is a British writer, scholar, and translator specializing in Russian literature. She read Russian at Durham University and completed her doctorate at Oxford. She is the author of acclaimed biographies of both Chekhov and Tolstoy, and is rare among biographers of Russian writers in having simultaneously translated their work. Her Chekhov anthology About Love and Other Stories, which includes “The Lady with the Little Dog,” was published by Oxford World’s Classics in 2004 and shortlisted for the Weidenfeld Translation Prize. She is the Founding Director of the Anton Chekhov Foundation, established to help preserve the writer’s house in Yalta, and in 2010 was awarded the Chekhov 150th Anniversary Medal by the Russian government.
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Illustration © 2026 by Anne Desmet
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